Born in the 1980s in Jakarta, Indonesia, Felicia started painting at the age of 10. The youngest of four siblings, her family originally comes from Fujian, China, and she grew up with strong traditional Chinese values.
Her father ran his own business, but her mother, an artist, had the biggest influence on her. As the youngest in the family, Felicia would follow her mother everywhere—to art shows and exhibitions—and she was encouraged to pursue an art education.
As a teenager, Felicia moved from Indonesia to study oil painting at the China Central Academy of
Fine Arts in Beijing.
“Although we learned and spoke Chinese growing up, when I came to study in China, it wasn’t easy,” Felicia recalls. “The weather was cold and dry—a lot of things were quite different. But, after a few years—even after I graduated—I didn’t want to go back to Jakarta.
“The Chinese in Indonesia are more traditional than the Chinese in China,” she explains. “In Indonesia, people have certain expectations regarding what you should do with your life. Especially for women, everything is set out for you—you’re expected to have a family.
“Life in China is more interesting; it’s more challenging for young people. You’re more free to explore different possibilities; you get to think creatively; and people are more supportive.”
Inspired, Felicia stayed in China for several years after her studies. She worked in a booming Chinese auction house—China leads the sales of art at open auctions globally—and completed an MA in Art Management until, persuaded by her family, she returned home to open an art gallery of her own.
“Ever since we were little, we were encouraged to work for ourselves,” Felicia continues. “There were not so many international companies in Indonesia back then, and my parents always said that starting your own company is better than working for someone else.”