个人简介
土门拳，Domon,Ken,(1909-1990)，日本摄影家．出生于山形县的海滨城市酒田，自8岁起迁居东京，长大成人。早年他曾想成为画家，曾在东京大学就读较短时间，1932年，因参加激进政治活动被开除。1933至1935年，他在东京美术学校作为宫内幸太郎的见习生。1935至1945年，他成为东京仁本公房照相馆摄影师，不久，他成为自由摄影工作者。他出版了7本摄影画册。他的作品散见于全世界各大杂志上。
社会评价
土门拳是30年代中期以来日本最有影响的纪实摄影家．他的作品一反日本画意派摄影的传统风格，帮助创建了新现实主义摄影。土门被誉为日本古代建筑和雕刻的系统性纪实摄影大师，他拍摄了大量古代寺庙的系列照片。他为日本儿童和广岛爆炸的牺牲者作了具有深远意义的摄影报道。
荣誉及成就
土门拳于1950年创建修丹摄影组(Shudan photo Group)他负责组展西方摄影家，包括玛格利特·伯克-怀特、亨利·卡蒂埃-布勒松、比尔·布兰特、欧文·佩恩和W·尤金·史密斯的作品， 他于1959年任日本摄影家学会副主席。
土门拳曾多次获奖，包括1942年摄影文化奖，1958年日本摄影评定协会年奖，1958年《每日新闻》摄影奖，1959年文部省长艺术奖、1960年日本摄影学会奖、1960年日本记者委员会奖、1961年《每日新闻》艺术奖、1960年国际新闻摄影展览大奖、海牙（1960年）和作家菊池宽（Kan Kikuchi）1971年奖。
土门拳的作品曾被分类展出，包括《日本新拍摄影家》、1974年展出于纽约现代艺术博物馆；《日本摄影的今天及其起源》、1979年于欧洲巡回展出。在东京举办的他的个人作品展览有1955年和1960年两次儿童影响作品展，1968年的“广岛牺牲者”和1972年的“古代庙宇”和1973年“文乐(Bunraku)木偶剧场”等。
代表作
《Domon Ken: The Master of Japanese Realism》
《Domon Ken: The Master of Japanese Realism》（ 土门拳：日本现实主义大师）184页，意大利Skira Editore; 01 edition （25 May 2017）出版，英文， 15 x 2.2 x 21厘米，161彩图＋13黑白图，1.30千克。
Allenamento degli allievi del corpo della Marina [Students of the Navy training]
1936
Yokosuka
535 x 748 mm
Ken Domon Museum of Photography
Pesca all’ayu
1936
Izu, Prefettura di Shizuoka
457 x 560 mm
Ken Domon Museum of Photography
Esercitazioni delle crocerossine [Red Cross exercises]
1938
Azabu, Tokyo
535 x 748 mm
Ken Domon Museum of Photography
Esercitazioni delle crocerossine [Red Cross exercises]
1938
Azabu, Tokyo
535 x 748 mm
Ken Domon Museum of Photography
Foto commemorativa della cerimonia di diploma del corpo della Marina [Commemorative photo of the Marine Corp graduation ceremony]
1944
Tsuchiura, Ibaragi
1047 x 747 mm
Ken Domon Museum of Photography
Vigile urbano a Ginza 4-chōme [Traffic policeman in Ginza 4-chōme]
1946
Tokyo
457 x 560 mm
Ken Domon Museum of Photography
Donne a passeggio [Women walking]
1950
Sendai
457 x 560 mm
Ken Domon Museum of Photography
L’attrice Yamaguchi Yoshiko [The actress Yoshiko Yamaguchi]
1952
535 x 748 mm.
Ken Domon Museum of Photography
Sit-in studentesco a Tachikawa contro l’ampliamento della base americana [Student sit-in in Tachikawa against the expansion of US base]
1955
Tokyo
457 x 560 mm
Ken Domon Museum of Photography
Sorelline orfane, Rumie e Sayuri [Orphan sisters, Rumie and Sayuri]
1959
Dalla serie I bambini di Chikuhō (Chikuhō no kodomotachi)
From the series Children of Chikuhō
457 x 560 mm
Ken Domon Museum of Photography
Rumie
1959
Dalla serie I bambini di Chikuhō (Chikuhō no kodomotachi)
From the series Children of Chikuhō
457 x 560 mm
Ken Domon Museum of Photography
Lucertola [Lizard]
1955
Dalla serie I bambini di Kōtō (Kōtō no kodomotachi)
From the series Children of Chikuhō
Tokyo
457 x 560 mm
Ken Domon Museum of Photography
Pioggerella [Drizzle]
1952 – 1954
Dalla serie Bambini (Kodomotachi)
From the series Children (Kodomotachi)
Atami
457 x 560 mm
Ken Domon Museum of Photography
Bambini che fanno roteare gli ombrelli [Kids twirling umbrellas]
c. 1937
Dalla serie Bambini (Kodomotachi)
From the series Children (Kodomotachi)
Ogōchimura
535 x 748 mm
Ken Domon Museum of Photography
Bagno presso il fiume davanti allo Hiroshima Dome [Bath at the river in front of the Hiroshima Dome]
1957
Dalla serie Hiroshima
535 x 748 mm
Ken Domon Museum of Photography
Paziente in ospedale [Hospital patient]
1957
Dalla serie Hiroshima
457 x 560 mm
Ken Domon Museum of Photography
Donna in cura per le lesioni da bomba atomica [Women being treated for injuries from atomic bomb]
1957
Dalla serie Hiroshima
457 x 560 mm
Ken Domon Museum of Photography
Gemella non vedente [Blind twin (female)]
1957
Dalla serie Hiroshima
457 x 560 mm
Ken Domon Museum of Photography
La morte di Keiji [The death of Keiji]
1957
Dalla serie Hiroshima
457 x 560 mm
Ken Domon Museum of Photography
Autoritratto [Self-portrait]
1958
Pubblicato sul numero di novembre della rivista Sankei Camera
457 x 560 mm
Ken Domon Museum of Photography
