Werner Büttner 1954 — Born Jena, Germany
Herodotus and Thucydides (Herodot und Thukydides, Geschichtenerzähler), Storytellers, 2018,
oil on canvas,
74 3/4 x 59 in., 190 x 150 cm
omething Very Blond Comes to Town (Etwas sehr Blondes betritt die Stadt), 2018,
oil on canvas,
74 3/4 x 59 in., 190 x 150 cm
Last Call of the Wilderness (Part 2) (Letzter Ruf der Wildnis Teil 2), 2018,
oil on canvas,
59 x 47 1-4 in., 150 x 120 cm.
The Choir of Yea-Sayers (Chor der Jasager), 2018,
oil on canvas,
74 3-4 x 59 in., 190 x 150 cm.
Why not die out? (Warum nicht aussterben?), 2018,
oil on canvas,
94 3/8 x 74 3/4 in., 240 x 190 cm
Scalp in the Shape of a Question Mark (Skalp in Fragezeichenform), 2018,
oil on canvas,
59 x 47 1/8 in., 150 x 120 cm
Verdampfung (Gone up in Smoke) 2017
oil on canvas
150 x 120 cm
Das Statement der Carnivoren (The Statement of the Carnivores) 2017
oil on canvas
150 x 120 cm
Diat – Geißel der Postmoderne (Diets – Scourge of Postmodernity) 2017
oil on canvas
150 × 120 cm
Allegory of any Old Indifferent Nature (Allegorie irgendeiner indifferenten Natur), 2017,
oil on canvas,
59 x 47 1-4 in., 150 x 120 cm.
Käfigszene (Cage Scene), 2017
Oil on canvas
59 1/10 × 47 1/5 in
150 × 120 cm
Viel Raum für allerlei Glück (Plenty of Room for all Sorts of Happiness) , 2017
Oil on canvas
94 1/2 × 74 4/5 in
240 × 190 cm
But on the seventh day a bit of peace and quiet..., 2016,
oil on canvas,
74 3⁄4 x 74 3⁄4 in.
Poor Souls, 2016,
oil on canvas,
94 1⁄2 x 74 3⁄4 in.
Ein geschundener Gaul (A Flogged Horse) 2016
oil on canvas
190 x 150 cm
The short earthly hop (Der kurze irdische Hopser) , 2016,
oil on canvas,
74 ¾ x 59 in.
Diesmal, Made in Germany (‘Made in Germany’ this Time), 2016
Oil on canvas
59 1/10 × 74 4/5 in
150 × 190 cm
Die Tränen des Xerxes, (The tears of Xerxes), 2016,
oil on canvas,
150 x 120 cm
Maria Magadalene, voll der Reue (Mary Magdalene, Full of Regrets), 2016
Oil on canvas
59 1/10 × 47 1/5 in
150 × 120 cm
Eine Lehre vom Menschen Kann Nicht Wissenschaftlich Sein..., A Theory of Humanity cannot be Scientific..., 2016,
collage,
16 1⁄8 x 13 in.
Ekelhafte Symbolik, Nauseating Symbolism, 2016,
collage,
16 x 13 in.
Goethe, Seine Rezeption Beschmunzelnd…, Goethe Smirking About his Reception…, 2015,
collage,
16 1⁄8 x 13 in.
Joie de Vivre (Lebensfreude), 2015,
oil on canvas,
74 ¾ x 59 in.
Everyone cracks fleas his own way ... (Jeder knackt die Flöhe auf seine Art ...), 2015,
oil on canvas,
74 ¾ x 59 in.
After the brawl with table legs, over her...(Nach der Saalschlacht mit Stuhlbeinen, ihretwegen...), 2015,
oil on canvas,
59 x 47 ¼ in.
Super Rigid Composition (Megastrenge Komposition), 2015,
oil on canvas,
59 x 74 ¾ in.
Warrior Groupies (Kriegergroupies), 2012,
oil on canvas,
74 ¾ x 59 in.
Tod im Blutenmeer (Death in Sea of Blossoms), 2012,
Oil on canvas,
150 x 120 cm
Die Tage rennen davon... (The Days are Running Away...), 2011,
Oil on canvas,
190 x 240 cm
Entrüktheit für Fortgeschrittene, 2011
150 x 120 cm
System says Welcome 1990
Wood, cobblestones, plastic plate, nails, paint
14.17 inch x 10.63 inch x 17.32 inch
Gelobt sei das Flutlicht und die Massen und die Nacht, 1990,
Oil on canvas,
59 x 59 in, 150 x 150 cm,
Pfütze (Puddle) 1989
oil on canvas
150 x 150 cm
Self with Seven Heads, 1988,
oil on canvas,
75 x 75 in.
Damenbad KPX (Hannelore), 1988,
Wood, tiles;
Sculpture: 16 7/8 x 6 1/4 x 7 7/8 in (43 x 16 x 20 cm)
Damenbad KPX (Annette), 1988
Wood, tiles;
Sculpture: 5 7/8 x 5 7/8 x 61 3/8 in (15 x 15 x 156 cm)
Smoking Brain (Sort of Self-Portrait) (Rauchendes Hirn [Eine Art Selbstportrait]), 1983,
wood, brass, paper, wire,
21 1/4 x 13 3/8 x 13 1/2 in., 54 x 34 x 34.5 cm
So ist es aber: Kleiner Hängebusen voller Fingerabdrücke und verschneiter VW, 1982,
Oil on canvas 3 parts,
each: 42 x 21 1/2 in framed, 106.5 x 54.5 cm
Sozialstaatimpressionen (Welfare State Impression) 1982
oil on canvas
150 x 120 cm
我使用词汇和两个世界的图像。更准确地说，我尽量不去回避任何一个不同的世界。看门人、流氓、教授，他们都能言善辩地描述自己的套路。——Werner Büttner
MARLBOROUGH CHELSEA
时长：6分38秒
Künstler und Professor Werner Büttner (Mitte) eröffnete mit vielen Gästen, darunter seine ehemaligen Schüler und heutigen Taktgeber der Szene, Daniel Richter (links) und Jonathan Meese, sein neues Atelier in Geesthacht.
©
Werner Büttner
以往部分国内艺术家目录
绘画艺术坏蛋店是一个调戏自己愚弄大家的肥发组织，本人出于对高压、宿醉、二进宫、当代毁画、土逼要棍乐、寻衅滋事等癖好分享雷锋做好事的心得而乐此不疲。
