如果一切顺利怎么办？
what if it all works out?
Li Zhongshi's solo exhibition
北京市朝阳区半截塔村53号郎园STATION A1-4
A1-4, Langyuan Station, No. 53 Banjie Tower Road, Chaoyang District, Beijing
黄油猫 - 电梯镜 / Buttered cat - Elevator mirror
2024
布面油画 /Oil on canvas
200
×
300 cm
我们荣幸的宣布艺术家李仲实个展将于
3月1日在可以画廊北京空间开幕，李仲实作为可以画廊的首批代理艺术家这已经是他在可以画廊的第三次个人展览，本次展览以「如果一切顺利怎么办？」为主题呈现艺术家最新的十余件作品，展览将持续展出至4月1日。
We are honored to announce that the solo exhibition of artist Li Zhongshi will open on March 1st at the Beijing space of KeYi Gallery. As one of the first representative artists of KeYi Gallery, this is already his third solo exhibition at KeYi Gallery. The theme of this exhibition is "what if it all works out?", presenting more than ten of the artist's latest works. The exhibition will continue to be on display until April 1st.
黄油猫 - 海洋天 / Buttered cat - Ocean sky
2024
布面油画 /Oil on canvas
200
×
150 cm
我的创作行为主要以消解和破坏的方法去建构新的观看方式和认知方式。这次展出了两个系列的作品用了不同方法进行了图像研究和观念实践。
My creative behavior mainly constructs new ways of viewing and cognition through methods of dissolution and destruction. This exhibition showcased two series of works that utilized different methods for image research and conceptual practic
e.
黄油猫 - 昏明屋 / Buttered cat - Twilight room
2024
布面油画 /Oil on canvas
200
×
150 cm
《黄油猫》系列我选用两个图形上下相对放置，在绘画过程中我必须来回颠倒画布去进行，这样建立其中一个图像时就是对另一个图像的破坏。而且它永远有一个图像在画面里是被颠倒的，同时两个方向均有签名，也就是无论如何都无法区分所谓的正反。我更倾向于保留作品从包裹被取出时临时放置的方向，让偶然性或他人来决定作品所谓的完成状态，而当作品重新被打包时它将重新进入不确定的状态。我想呈现这种不确定性、未完成感，以及即兴创作的过程，而非结果。让作品永远处在
“进行中”的鲜活状态里，以此来拓展绘画的可能性，和新的看待方式。
In the "Buttered Cat" series, I chose to place two graphics facing each other up and down. During the painting process, I had to flip the canvas back and forth, creating one image would be a destruction of the other. And it always has an image that is reversed in the picture, with signatures in both directions, making it impossible to distinguish between the so-called positive and negative sides no matter what. I prefer to keep the direction in which the work was temporarily placed when it was taken out of the package, allowing chance or others to determine the so-called completion status of the work, and when the work is repackaged, it will enter an uncertain state again. I want to present this uncertainty, unfinished feeling, and the process of improvisation, rather than the outcome. Let the work always be in a lively state of 'in progress', in order to expand the possibilities of painting and new ways of viewing.
结构的剩余 - 红药水 / Residual Structure - Red Solution
2024
布面丙烯、石膏 / Acrylic on canvas,Gypsum
200
×
150 cm
《结构的剩余》系列是另一种方法的绘画，它是具象绘画，但我先把图像的颜色抽离出来以抽象的形
式进行，然后再把具象的内容画上去。这区别于一般意义上的把颜色放在形体结构上的具象绘画，像
常规具象绘画那样把颜色和结构同时进行成了悖论。颜色和结构的交叠、错位，使图像变得不易辨认，以原图像的符号性进行传播或隐藏的信息在种方法下便有了流动性和多重性，这既是解构的又是建构的。
The "Residual Structure" series is another method of painting, which is figurative painting. However, I first extract the colors of the image in an abstract form, and then draw the figurative content on it. This is different from the typical figurative painting that places color on the structure of the form, which creates a paradox by simultaneously incorporating color and structure like conventional figurative painting. The overlap and misalignment of colors and structures make images difficult to recognize, and the information conveyed or hidden through the symbolic nature of the original image becomes fluid and multifaceted through this method, which is both deconstructive and constructive.
结构的剩余 - 紫药水 / Residual Structure - Purple Solution
2024
布面丙烯、石膏 / Acrylic on canvas,Gypsum
200
×
300 cm
我的作品是我观念的行动痕迹。
My works are the traces of my ideas in action.
—— 李仲实
—
Li Zhongshi
关于艺术家 / About Artist
李仲实，1994 出生于辽宁沈阳，2019 毕业于鲁迅美术学院，现工作生活于沈阳和伦敦。他的作品善于捕捉精神世界中的波动，注重客观世界具象化的消解以及视觉感官的刺激，使确定性坍塌。他在对视觉图像反复破坏、重构的过程中寻找灵感和感性经验，以此进行图像研究和观念实践，试图拓展绘画的观看方式。他将叙述和表意的线性关系重组，构建出游离于感性与理性边缘的、能够被画面痕迹和色彩追溯的精神世界。他的作品曾被 X 美术馆收藏。
他的个展包括：“反光镜”，可以画廊，（合肥，2023）；“永远是春天”，可以画廊，（合肥2021）；“李仲实 / Li Zhongshi ”，鲁迅美术学院美术馆，（沈阳，2018）。群展包括：“无论盛开还是不盛开，花都是花”，可以画廊，（合肥，2022）；“叙事”中国重点美术院校联展，（北京，2018）；“悦色青黄——视觉跨界的延伸”，芝加哥浮世画廊，（芝加哥，2017）等。
Li Zhongshi, born in Shenyang, Liaoning in 1994, graduated from Lu Xun Academy of Fine Arts in 2019, now works and lives in Shenyang and London.His works are good at capturing the fluctuationsin the spiritual world, focuses on the dissolution ofthe materialization in the objective world and thestimulation of the visual senses, making deterministiccollapse. He sought inspiration and perceptualexperience in the process of repeated destruction and reconstruction of visual images". In this way to carry out image research and conceptual practice, trying to expand the way of appreciation of painting. He reorganizes the linear relationship between narration and expression to build a spiritual world that is free from the edge of sensibility and reason and can be traced by the traces and colors of the picture. His works have been collected by X Gallery.
His solo exhibitions include: "Reflector", KeYi Gallery, (Hefei, 2023); "Always spring" , KeYi Gallery, (Hefei, 2021); "Li Zhongshi", Art Museum of Luxun Academyof Fine Arts, (Shenyang, 2018). and group exhibitions include: "Whether in full bloom or not, all flowers are flowers", KeYi Gallery, (Hefei, 2022); "Narrative", Joint Exhibition of China's Key Fine Arts Colleges, (Beijing, 2018); "Blue&Yellow an Extention of visual Crossover", Floating World Gallery,(Chicago, 2017), etc.
关于可以画廊 / About KeYi Gallery
可以画廊 KeYi Gallery 是一间成立于2019年的当代新星空间，旨在为艺术家打造一个开放性的具有学术实验性的平台，致力推广多元独特的展览项目和艺术家作品，挖掘和培育年轻艺术家。可以画廊前身以私人收藏为主，20年间不断收藏那些具有一定学术价值的当代作品，并始终关注艺术当下及未来的发展趋势。
KeYi Gallery is a young contemporary art space established in 2019. It aims to create an open and experimental platform for artists and dedicates to promoting diverse unique art programs and works of art, exploring and developing young artists. KeYi Gallery gave priority to private collections previously and has been insisting on collecting contemporary artworks with high academic value while concentrating on art trends in the art world.
