专栏名称: 北师艺家人
北京师范大学艺术与传媒学院官方公众号,志于道,据于德,依于仁,游于艺。欢迎您的关注!
目录
相关文章推荐
51好读  ›  专栏  ›  北师艺家人

2024大学生AI艺术季学术会议征稿启事

北师艺家人  · 公众号  ·  · 2024-07-29 15:43

正文

请到「今天看啥」查看全文





艺术·科技·媒介·文化

交叉学科视阈下AI艺术的共创未来


2024大学生AI艺术季学术会议征稿启事



会议时间 :2024年10月11日

会议地点 :北京市海淀区中关村国家自主创新示范区展示中心

主办单位 :北京师范大学艺术与传媒学院、《电影艺术》杂志社、大学生AI艺术季组委会

学术支持单位 :《文艺理论与批评》《电影评介》《电影新作》等


SESSION1

会议主题与意义


人类社会正处于科学技术快速发展、智能应用快速迭代的时代之中。在艺术世界,生成式人工智能(Generative artificial intelligence,下称AI)不仅在音乐、视觉艺术、讲故事、文学和诗歌、游戏、建筑、设计等领域内通过自主或人机共创等方式生成作品,也被应用于多学科、多门类的艺术分析、评估和策划。一方面,AI为艺术创意工作的诸多环节提供了重要的内容支撑和效力支持,帮助艺术工作者创造性地解决复杂问题,生成更加多元、高效的创意环境;另一方面,AI也对传统的艺术创作思维和工作流程带来了巨大的冲击和挑战,更在全球学术界引发了关于AI艺术本体理论、技术伦理、AI艺术应用等议题的深入讨论:AI艺术的本体何为?边界何在?如何辐射交叉?发展路径又在何方?

作为2024大学生AI艺术季的重要版块,“艺术·科技·媒介·文化:交叉学科视阈下AI艺术的共创未来”学术会议邀请来自国内、国际各学科的学者,围绕AI艺术展开多元、前言的跨学科讨论。会议下设:(1)AI艺术与科学;(2)AI艺术与技术哲学;(3)AI艺术与媒介;(4)AI艺术与优秀传统文化“两创”四个主题分会,期待来自艺术学、哲学、社会学、新闻传播学、数学、计算机、生命科学、环境科学、历史学、认知科学、心理学、地理遥感等交叉学科和多维视角的交叉研究成果。

/////



SESSION2

主题分会


主题一:AI艺术与科学

在艺术与科技融合共创的背景下,“AI艺术与科学”分会旨在探讨艺术与科学技术的融合创新及其遭遇的挑战。我们期待探讨人工智能等科学技术在艺术创作中的应用,以及AI技术如何推动科学研究与艺术创作的交融创新,特别是AI技术如何应用于搭建包括(但不限于)艺术与数学、生命科学、环境科学、计算机科学等学科的交叉共创平台。本分会鼓励学者深入探讨AI艺术创作背后的科学原理、算法创新以及其对艺术创作与跨学科应用的影响,推动科学与艺术的深度融合。

主题二:AI艺术与技术哲学

“AI艺术与技术哲学” 分会鼓励学者围绕人工智能艺术本体、技术伦理和外延边界的哲学思考和批判研究。我们期待来自(但不限于)哲学、艺术学、媒介研究、批判研究等多元、交叉的学术视角,同时希望讨论能够延续技术哲学传统对于技术、技术物与人类本体的思考与批判性诘问,将AI技术与艺术的缠绕相生重新带入爱比米修斯与普罗米修斯的隐喻,充分探讨人工智能如何创造性地改变自身,人类智慧又如何适应性地调节技术。

主题三:AI艺术与媒介

“AI艺术与媒介” 分会围绕AI内容生成与AI艺术创作如何变革传统媒介以及新媒介形式,如何影响信息传播、媒介样态与受众等议题展开讨论。我们也欢迎对于AI艺术在国际传播、数字传播等领域的应用,受众如何针对AI内容进行接收,AI作为社会科学研究方法等问题的前沿讨论。我们期待来自(但不限于)新闻传播学、社会学、心理学、认知科学等学科的新锐观点,围绕近年来AI媒介现象及前沿问题展开思考与研究。

主题四:AI艺术与优秀传统文化“两创”

“AI 艺术与优秀传统文化‘两创’”分会旨在围绕AI技术如何赋能中华优秀传统文化的创造性转化与创新性发展展开讨论。包括但不限于AI对于物质与非物质文化遗产、传统文化、民族文化、地方文化的数字化呈现、艺术化焕活、交互性展示与国际传播的议题。我们不仅关注AI在艺术创作与传统文化创新、创意转化方面的技术前景,更意图挖掘AI技术在传承历史文化、发扬人文精神、书写中国故事方面的公共性和公益性潜能。我们期待来自(但不限于)历史学、文学、考古学、信息学等学科的充分探讨。

/////



SESSION3

报名须知


1. 会议邀请在国内外高校及研究机构就职的青年学者(年龄为45岁以下)、在站博士后及在读博士生、在读硕士生踊跃投稿参会。请投稿者如实填写参会报名表,并同时提交论文全文,于北京时间 2024年9月10日24:00前 ,以电子邮件的形式发送到邮箱 [email protected] 。同一申请人以第一作者身份最多可报名两个分议题。

2. 论文正文应以中文或英文形式撰写,中文字数为10000-15000字,英文字数为7000-8500字。论文应包含中英文标题、作者简介(150字以内)、中英文摘要、关键词、正文及参考文献。评选将采用盲审的方式,评审团由专家组成。会议将进行论文推优,并择优推荐至学术期刊发表。

3. 本次会议不收取会务费,差旅及住宿费用由参会人自理。

/////



SESSION4

格式要求


1. 中文标题应采用宋体三号加粗居中,英文标题应采用Times New Roman, 14号加粗居中。

2. 对于中文论文,正文应采用宋体五号字。一级标题写作 “一”, 宋体小四加粗,左对齐并缩进2个汉字字节;二级标题写作 “(一)”, 宋体小四加粗,左对齐并缩进2个汉字字节;三级标题写作 “3.”, 宋体小四,左对齐并缩进2个汉字字节。注释引用请按照《北京大学学报》(哲学社会科学版)要求采用分页脚注及注释。

3. 对于英文论文,正文应采用Times New Roman, 12号字。标题及引用格式请按照MLA, APA 或 Chicago格式进行撰写。请在上述格式中选择其一,全文统一。格式规范请参考:https://owl.purdue.edu/owl/research_and_citation/resources.html

/////



SESSION5

投稿邮箱及联络人


投稿邮箱:[email protected]

/////





Arts, Technology, Media and Culture:

A Collaborative Future of AI Arts from an Interdisciplinary Perspective


2024 Art Artificial Intelligence Awards (AAiA) Academic Conference

Call for Paper


Time : October 11, 2024

Location : Zhongguancun Science Park, Beijing, China

Organizers:

School of Arts and Communication, Beijing Normal University

Journal Editorial Department of Film Art

Organizing Committee of 2024 Art Artificial Intelligence Awards

Academic supports:

Theory and Criticism of Literature and Art

Movie Review

New Films


Conference Info

Human society is currently in an era of rapid development in science and technology and quick iteration of intelligent applications. In the world of arts, generative artificial intelligence (hereinafter referred to as AI) not only creates works autonomously or through human-machine collaboration in fields such as music, visual arts, storytelling, literature and poetry, gaming, architecture, and design but is also applied to the analysis, evaluation, and planning of various disciplines and categories of art. On the one hand, AI provides significant content support and efficiency enhancements for many aspects of artistic creative work, helping artists creatively solve complex problems and generate more diverse and efficient creative environments. On the other hand, AI poses significant challenges and impacts on traditional artistic thinking and workflows, sparking in-depth discussions in the global academic community about issues such as the ontology of AI art, technological ethics, and AI art applications: What is the essence of AI art? Where are its boundaries? How does it intersect with other fields? What are its development paths?

The academic conference Arts, Technology, Media and Culture: A Collaborative Future of AI Arts from an Interdisciplinary Perspective invites scholars and college students from various domestic and international disciplines to engage in diverse and forward-looking interdisciplinary discussions on AI art. The conference is divided into four thematic panels: (1) AI Art and Science; (2) AI Art and the Philosophy of Technology; (3) AI Art and Media; and (4) AI Art and the “Two Innovations” of Outstanding Traditional Culture. We look forward to interdisciplinary research results from art, philosophy, sociology, journalism and communication, mathematics, computer science, life sciences, environmental science, history, cognitive science, psychology, geography, remote sensing, and other fields from multidimensional perspectives.

Panel Info

AI Art and Science

The panel aims to explore the innovative integration of art and science and the challenges it faces. We look forward to discussing the application of artificial intelligence and other scientific technologies in artistic creation, as well as how AI technology drives the integration and innovation of scientific research and artistic creation. This includes, but is not limited to, how AI technology is applied to building interdisciplinary co-creation platforms across fields such as art and mathematics, life sciences, environmental science, and computer science. This panel encourages scholars to delve into the scientific principles and algorithmic innovations behind AI art creation and their impact on artistic creation and interdisciplinary applications, promoting a deep integration of science and art.

AI Art and the Philosophy of Technology

The panel encourages scholars to engage in philosophical reflection and critical research on the ontology of AI art, its technological ethics, and its boundaries. We welcome diverse and interdisciplinary academic perspectives, including but not limited to philosophy, art studies, media studies, and critical studies. We also hope that the discussions will continue the tradition of the philosophy of technology in examining and critically questioning technology, technological objects, and human ontology, bringing the entwined relationship between AI technology and art back into the metaphors of Epimetheus and Prometheus. This sub-session aims to fully explore how artificial intelligence creatively transforms itself and how human intelligence adaptively regulates technology.

AI Art and Media

The panel focuses on discussing how AI content generation and AI art creation are transforming traditional media and new media forms, and how they impact information dissemination, media modalities, and audiences. We also welcome cutting-edge discussions on the application of AI art in fields such as international communication and digital communication, how audiences receive AI content, and AI as a research method in social sciences. We look forward to fresh perspectives from disciplines such as (but not limited to) journalism and communication, sociology, psychology, and cognitive science, exploring recent AI media phenomena and frontier issues.

AI Art and the “Two Innovations” of Outstanding Traditional Culture

The panel aims to discuss how AI technology can empower the creative transformation and innovative development of China's outstanding traditional culture. This includes, but is not limited to, the digital presentation, artistic revitalization, interactive display, and international dissemination of tangible and intangible cultural heritage, traditional culture, ethnic culture, and local culture. We focus not only on the technical prospects of AI in artistic creation and the innovation and creative transformation of traditional culture but also aim to explore the potential of AI technology in inheriting historical culture, promoting the human spirit, and telling the Chinese story. We look forward to in-depth discussions from disciplines such as (but not limited to) history, literature, archaeology, and information science.


Application Instructions

(1) We call for submissions from young scholars (under age 45), post-doctors, doctoral students and postgraduate students worldwide. Applicants should have educational experience in relevant academic areas.

(2) The deadline for paper sub-mission is September 10, 2024 (24:00 UTC+8). Please send the full paper as well as the application form (please see attached) via e-mail to: [email protected]. The same first author or correspondent author should only submit manuscripts to two different panels at most.

After the review session, the conference committee will inform the acceptance by email.

The full manuscript should include:

1) Full paper no less than 7000 words (in English) or 10000 words (in Chinese),

2) Short bio of author(s) within 150 words,

3) Paper abstract, keywords,

4) Bibliography and appendix (if applicable).

The evaluation will use a blind review process, with the review panel consisting of experts. The conference will highlight outstanding papers and recommend them for publication in academic journals.

(3) There will be no conference registration fee for this event. Participants will be responsible for their own travel and accommodation expenses.


Format Instruction

The manuscript should be written in either MLA, APA or Chicago format. Please refer to :

https://owl.purdue.edu/owl/research_and_citation/resources.html for more information.

Contact

[email protected]


/////

附: 2024大学生AI艺术周学术会议报名表.docx


/////







请到「今天看啥」查看全文