关于INNER/因而教育
INNER/因而教育，是一家由国内外建筑及艺术类专家成立的技术教育交流机构。INNER/因而教育力邀欧美建筑及艺术教育专家线上讲学交流，推动中外建筑及艺术产业的学术，逐渐成为国际建筑及艺术教育交流的主要平台。
INNER/因而教育涉及建筑设计、艺术设计、VI/平面设计和景观规划设计等领域，INNER/因而教育采用与国际接轨的当代建筑与艺术教育模式，引进美国、英国、法国、德国、意大利等国家建筑及艺术院校的国际专业课程，由国际知名建筑及艺术大师和全海归专业教师团队，采用导师制小班制、一对一等教学形式，培养出符合欧美名牌建筑及艺术院校的专业人才，助国内学生通向国际建筑及艺术殿堂。
案例解析
本文由INNER/因而教育为大家分析优秀效果图制作案例。学习作图技巧，为自己的设计加分，为参加竞赛做技术储备。
I
have been continuing to develop my research labconcept and specifically
I have been focusing on some sectional qualitiesof the design. Since
time is limited these days, I don’t always build elaboratemodels of each
idea. In this case, I cut a section through my master model andworked
it over in Photoshop to test out some ideas. This method
doesn’tnecessarily always yield the cleanest images in terms of sharp
line work andshading, but it is more than enough to get the idea across
and show some of myprocess work at the same time.
This style of illustration is building off of my “
Culture Center Intro Illustration
”
which took on a minimal/vintage typelook. Again, landscape elements are
abstracted and shading is simplified.Colors are also diagrammatic to
broadly represent basic elements of glass,vegetation, interior, etc. You
can get away with a lot more going with a stylelike this. A fully
detailed model isn’t necessary and mistakes can be concealedthrough
paint and poche.
（A神最近尝试提升截面品质，由于每个方案不可能有足够时间在模型细节上进行雕琢，所以转换思维，在Ps中尝试可能性，虽非所有细节都能精确表达，但足以展示推导过程。周边景观与阴影简化即可，在一些基本元素方面可以使用代表性的颜色进行替换，可以让你的模型大大减少制作时间。）
1. Sketchup Model
Like
I said, I didn’t want to spend the time modelingeach idea. Therefore, I
used just one model, then copied it 3 times inPhotoshop.
（复制粘贴复制粘贴复制粘贴，大家都一样…）
2. V-Ray Rendering
I used the material override in V-Ray to generate asimple clay model rendering, standard stuff here on this website.
（在渲染时候A神也抱着简化的思想使用基本色，操作简单，看起来也不错）
3. Poche
The
first thing that I did in Photoshop was poche or fillin the cut areas
of the model with black paint. This helps clarify the readingof the
section and hides mistakes in the model. I also edited the baserendering
in Photoshop to test out some of the other sectional ideas that Ihad.
In this case, I sculpted the ground around the support columns aswell as
some other minor changes.
（还是A神套路深，简单粗暴切割区直接涂黑，既方便分辨区间又减少瑕疵。经过修改的Ps基础渲染参数便与测试，趁着这个当口，A神顺带把剖柱周围的小细节深化，便于之后动作。）
4. Landscape Highlight
The
section diagrams are meant to show two levels of informationin the cut.
The black poche represents the cut through structure and redrepresents
vegetation. These three studies are looking at how the vegetationflows
in and around the architecture. I will probably create a key or
annotatethese ideas later on down the road.
（红色和黑色部分很清晰的显示出了A神想下手处理的区域，以简单的色块来表示植被在建筑中和周围环境的流动，小伙伴们赶紧get到这个小技能，千万别放过）
5. Color
At
this point, color is introduced to helpdefine material and further
clarify the reading of the diagram. I amnot too concerned with how the
colors are reading. I just need to get thelayers setup knowing that I
most likely will tweak them later. I Also know thatI will make
sweeping color adjustments towards the end with topaz.
（在目前阶段先不要考虑日后渲染出来是什么效果，把图层分清，说不定哪天你就会调整一番，所以喽，先把基础打好了日后怎么折腾都由你）
6. Background
A
simple background was inserted which abstracts thetrees into long
linear elements. I wanted to avoid the background getting toobusy with
branches and distracting from the section.
（把线条放进去抽象成了树，简简单但不繁杂，整个画面一看就有了故事，A神也是有故事的人）
7. Topaz and Texture
