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访学 | 中山大学博雅学院-剑桥大学克莱尔学院暑期课程(一)

中山大学博雅学院  · 公众号  ·  · 2018-08-22 16:57

正文

8月11日晚,中山大学博雅学院14名本科生和研究生在董波老师和黄俊松老师的带领下抵达英国剑桥大学并入住克莱尔学院,在经过一天的休整和熟悉环境后,随即进入了第一周紧张而热烈的古典语言与文学课程的学习。


01

希腊文


13-17日上午,剑桥大学克莱尔学院教学主任、古典语言资深教师Charles Weiss博士带领同学们进入了Readings in Ancient Greek on Love的课程,耐心、细致地与同学们一起翻译了赫西俄德《神谱》、Mimnermus残篇、恩培多克勒残篇、索福克勒斯《安提戈涅》、柏拉图《会饮》中涉及到Love这一主题的段落,引导同学们领略了史诗、挽歌、悲剧、哲学等等各种文体的特征与魅力,以及希腊人对于宇宙、生命、情感与理性的思考的深度和广度。


Charles老师讲授希腊文


附:

Readings in Ancient Greek on Love

课程目录

13rd  Hesiod on the birth of Eros(Theogony)

14th  some fragments of Mimnermus

15th  Empedocles fragment D73(Loeb ed.)

16th  the Antigone 'love ode'

17th  Aristophanes' myth of love(1)

20th  Aristotle Nichomachean ethics 8.1.1-5(1155al-31)


上图和右图为同学的希腊文笔记


02

英美文学



13-17日下午,同学们跟随剑桥大学英文系讲师Trudi Tate的脚步,进入了Love in literature的广阔世界,欣赏了19世纪维多利亚时代著名诗人罗伯特·勃朗宁和丁尼生的诗篇,以及凯瑟琳·曼斯菲尔德、安纳德、劳伦斯、沃尔夫的小说。Trudi老师聚焦于英语文学中的Love主题,激发了同学们对于家庭关系、社会状况、战争与和平等等主题的思考。尤为重要的是,为了调动同学们参与课程的积极性,Trudi老师还精心布置了课堂报告的环节,分别指导和安排各组同学进行主题报告。


附:

1.Love in literature课程目录:

13rd  Robert Browning, ‘My Last Duchess’, ‘A Toccata of Galuppi’s’, ‘Love Among the Ruins’

14th   Alfred Tennyson, ‘The Lady of Shallot’ and selections from Maud

15th   Katherine Mansfield and Mulk Raj Anand on children:

Mansfield, ‘The Dolls’ House’, ‘Sun and Moon’, ‘The Garden Party’.

Anand, ‘The Lost Child’

16th   D. H. Lawrence, ‘Odour of Chrysanthemums’ and ‘The White Stocking’

17th   Virginia Woolf, To the Lighthouse (1927)

20th   Elizabeth Bowen, ‘Tears, Idle Tears’ and ‘Making Arrangements’

21th   Jean Rhys, ‘Illusion’ and Virginia Woolf, ‘The New Dress’

22th   Viet Nguyen, ‘Black-Eyed Women’ and ‘I’d Love you to Want Me’, in The Refugees (2017)


2.同学们的presentation(部分)



王予立 :“You couldn’t light it, but there was something inside that looked like oil and moved when you shook it.”And so is our Else, she may not be lighted, or be approved by others, but there is something inside her and she is now ready for lighting, I guess.(The Dolls’ House)


何澍之 :In fact, the mother is not as cold as she seems like, and the author also mentioned that “What a lovely mother to have”. So the tension between “movement” and “stillness” is first manifested in the fact that anyone cannot completely exclude emotion. The courage of Mrs. Dickinson is a practical attitude and a forced choice.(Tears, Idle Tears)

杨希希 :There is an important sentence to understand the turnaround of Elizabeth, “She was a mother — but how awful she knew it now to have been a wife.” That is to say, she denies her identity as a wife, but confirms her identity as a mother. At the end of this novel, Elizabeth goes about making the kitchen tidy, it means that her life will return to normal and she will try her best to look after her children well.(Odour of Chrysanthemums)


Trudi老师讲授英国文学


03

古典学讲座



18日上午,剑桥大学希腊文学讲师Fran Middleton在题为“Love of Books and Fear of Books in Ancient Greek and Roman Literature”的讲座中别开生面地与我们分享了古代作家对于书籍的不同态度:爱书和恨书,并与同学们热切讨论了这些态度在现代的回响,由此激发了同学们对于研读经典著作之意义的进一步思考。下午,剑桥大学列文蒂斯希腊文化教授Tim Whitmarsh带来了题为“Novels in Ancient World”的讲座,集中在希腊小说这一题材上,一方面为同学们讲解了希腊人对于Love的态度,另一方面又指出希腊小说的主题、情节等等在西方现代小说中的反映,出人意料地建立起了古今文学之间的关联,并由此激发同学们进一步去思考古典与现代的关系问题。


Fran Middleton博士讲座合影

Tim Whitmarsh教授讲座合影


04

剑桥揽胜








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